Law and Humanity Summer School, Lucerne, Switzerland

Law and Humanities Summer School: Law, Art, Politics
(15-19 June 2020, University of Lucerne)


 
The Law and Humanities Summer School is an intensive one-week study programme, to be held at the University of Lucerne, Switzerland, from 15 to 19 June 2020. The school is co-organised by the following partners:
 
  • Institute for Interdisciplinary Legal Studies – lucernaiuris, University of Lucerne
  • Centre for Law, Arts and Humanities, The Australian National University
  • Law Department, University of Roma Tre
  • Institute for Art History, Ludwig Maximilian University of Munich
 
Bringing together leading scholars, researchers and postgraduate students, the school will showcase cutting-edge work at the intersections of law and the humanities, and serve as a laboratory for exploring a range of contemporary methods, approaches and issues.
 
 
Focus: Law, Art, Politics
 
The 2020 Summer School will focus on the entanglements of law, art and politics. From statues of the Roman Emperors to Picasso’s Guernica, some of the world’s most celebrated works of art have been explicitly political. But in the twenty-first century everything has been disrupted – including law, including art, including politics. We live in a world obsessed by images and distrustful of politics; a world in which the public sphere is collapsing and private interests seem more powerful than ever. What, then, is the role of art in making and unmaking, representing and challenging the language of law and the power of politics? Can art disrupt the disruptors?
 
Starting from this contemporary perspective, the school will offer a panorama of the dynamic intercourse between law, art and politics across a variety of sites, contexts and periods. The programme will draw on the expertise of scholars working in different research fields and across multiple critical traditions to address such questions as:
 
  • How do images and aesthetics shape the character of law?
  • What role does art play in transmitting legal and political ideology, or in fostering critique or social change?
  • How might we understand the relations between forms of artistic cultural expression and legal identities?
  • What are the effects of art’s material manifestations on the law?
  • How does art participate in, activate, or reflect upon the imagining of legal futures?
 

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